David Wojnarowicz
American 1954-1992
David Wojnarowicz American 1954-1992
http://artonetwentynine.blogspot.com/2011/03/david-wojnarowicz-fire-in-my-belly-1986.html (文章關於作品)
http://vsthepomegranate.blogspot.com/2010/12/fire-in-my-belly-by-david-wojnarowicz.html
http://vimeo.com/14279625
A Fire in My Belly Excerpt 1986-87
Supper 8mm film transferred to video (black and white and color silent) 7 min.
在還沒看介紹不知是跟愛滋有關
一開始黑白畫面,有幾個只剩大腿的人在行走。
用紅色的線,縫麵包
用紅色的線縫嘴巴
好多紅色,血
螞蟻爬錢
硬幣
黑白彩色的人在吹火
宗教
我不太清楚是在幹嘛,這些元素的組成,是深沉的,痛的,有意喻暗示的感覺。
Tony Oursler
American born1957
http://www.moma.org/collection/artist.php?artist_id=7489
http://www.artnet.com/magazineus/news/nathan/tony-oursler-eai-2-9-12.asp
http://landmarks.utexas.edu/projects/video/oursler
The Weak Bullet 1980
video (color sound) 12:41 min.
,香蕉, 雞蛋捏碎 跟性的暗示, 一個一個小小的物件,去組合拼湊整個空間.
The Weak Bullet
1980, 12:41 min, color, sound
Told with raw eccentricity and grotesque humor, The Weak Bullet is an ironic tale in which the trajectory of the eponymous bullet propels a bizarre narrative of social rupture and sexual paranoia. Oursler takes the viewer on a delirious, psychodramatic odyssey through a nightmarish landscape that is part Caligari, part splatter film, and mostly his own outrageously perverse internal universe. As it winds its way through Oursler's world, the subversive bullet acts as a disruptive phallus that both castrates and impregnates. The miniaturized, crudely rendered sets house an expressionistic theater that is distinguished by Oursler's ingenious visual shorthand, narrative disjunctions, and typically droll, stream-of-consciousness text.
+表現主義戲劇:
今天的兩部
Rose Hobert.1936. USA. Joseph Cornell.19 min.
整個都是粉粉的桃紅色,眨眼,眼神。
一部影片的組成,太厲害了。像畫,音樂。一個眼神,再馬上切換,那一點的力道。丁丁霹靂東,轉過來轉過去,何時?
A Primer in Sky Socialism.2013. USA. Jacobs. 60 min.
每張3D都像畫,滿精采。加上現場的音樂,是我覺得最讚嘆的。
跑到腦子,魂遷遊走。
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